True Prince Stories News

Mazarati RIP

November 8, 2006 | 1:54 am

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By: Harlan (Hucky) Austin

Ah, the glory days. I reminisce sometimes. I do. I was in my 20’s when Funk-Rock was in its infancy. Funkadelic started it all–a heavy guitar sound laid down on a funk foundation…then came the Minneapolis sound. Remember those days? Big hair and spandex. Singers in lingerie. The Family. Purple Rain the Movie. Purple Rain the Concert. Prince Mania. BrownMark. Sir Terry Casey. Mazarati. Wait.

Whatever happened to Mazarati?

Back in the day, they played a lot of local Minneapolis clubs. Mark and Terry would bring a demo dat to clubs and ask the DJ to play a song or two. One night the DJ at First Avenue played their hit song “Stroke”– and the crowd fell c r a z y in love. The dance floor was packed. Mazarati was BrownMark’s project. While working with this Mazarati, BrownMark called himself the Shadow, so that Prince wouldn’t get upset that he was playing with other people and developing a strong following for another band. BrownMark had his own creative aspirations, and wanted to keep this one secret.

As luck would have it, Prince came into First Avenue and heard “Stroke”.

He stopped and listened. He saw the crowd grooving and gyrating under the song’s spell, and asked the question that would alter the band’s upward momentum forever: “Who is this?”

Sir Terry Casey ‘fessed up, and said it was his band.

The band was unsigned, and Prince wanted them with his Paisley Park label. He got them into his studio to record. He offered the band a song titled “Kiss” a recording which was just one chorus and one verse played on an acoustic guitar. BrownMark and other band members worked towards further developing the meager beginning of the song. The next morning, before anyone else was back in the studio, Prince listened to the tracks they’d laid down. Then he decided to get more “hands on” with the song, and in their absence made alterations and recorded his own voice (an octave higher) track.

The song was so hot that Prince decided to keep it for himself.

A lot of people thought Mazarati was poised to be “the next big thing.” They had a loyal following, a record deal with one of the biggest and already richest names in the business. A lead singer with sex appeal, attitude and skills. Everything should have happened for them. But a label is only as good as the material, the performance development, marketing and promotions. Prince’s recording of “Kiss” was a chart topper.

The replacement from Prince for the song “Kiss” was “100 MPH,” it did well, but it wasn’t the giant hit that “Kiss” was.

I don’t really know what might have happened for Mazarati. If Prince had let the up-and-coming Mazarati keep “Kiss”, might that song have launched them to greater heights?  In Mazarati’s hands, would the song have been a mega hit? It’s hard to say. The Paisley Park label did great things for Sheila E. and others, but for Mazarati, it was the beginning of the end. One of the reasons Prince created his own label was because he was tired of the control the big labels had over his career.

In the words of Clivilles & Cole…”things that make you go hmmm…”
 

 

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